I should have added that I'd tried that and got nothing - which surprised me as usually very good (though Sound ID can be a bit addictive)

And not entirely to my surprise, Windhover is even in the Oxford English Dictionary!

Try this one - still messed with, but gives more of the shadows

Which, just cropped out of the camera's RAW format (suffering from the classic dark bird against white sky issue with auto-ISO) was

Since the swallows were back in roughly the same place, and same (decent) light today, I tried with 1/2000s - and got a couple of shots that were clear improvements. E.g.

So, Canon R6 + RF200-800mm lens at full length, F9, ISO 1250, Exposure bias on camera +1 step at the suggested 1/2000s

To give a sense of cropping/distance, that's 296 x 296 pixels from a camera whose full frame is 5472 x 3648

Trying for the photos hand held for twenty minutes or so (with rests) left me with extremely tired arms!

Oh! Thank you.

I'd assumed you were just using it's standard nickname (e.g. Jenny Wren or Robin Redbreast). I wonder whether it is named from it's cousin's English nickname. As an example of that, Robins were once just "Redbreasts", got nicknamed Robin, and somehow, the nickname became the standard way to name them. As you can perhaps tell, this derivation amuses me

Nice - which wagtail is that?

This is actually the truly crazy (and heavy!) RF200-800mm, with F9 at 800mm (and they do one even madder at x4 the price or so).

Sadly, Canon don't let others use their RF interfaces, so I'd guess Sigma, etc. don't try hard to work with Canon anymore.

I know for birds the ideal is closer to the suggested 1/2000s, but in practice that seems out of reach without doing bad things to the ISO with this lens/body. While the camera was doing auto-ISO to 100-350, the photos needed quite a bit of increased brightness when processing (RAW of course) to bring out the bird, so there was little to spare. And this, in sunshine. If I'd been thinking, some exposure compensation on the camera would have been sensible, but I doubt the end result would be much better.

Not that I'm aware of - just eats storage and battery! That said, with a heavy camera, you're unlikely to keep it firmly on target for much of the burst!

I think what's happening is the long focal length allowing distant shots is giving a much greater depth of being in focus, combined with decent sunlight, and often trees in the full frame that are the right sort of distance way (these are massively cropped down from the full frames). This gives a better chance of the auto-focus getting it right. Also, swallows do have slower glide phases in their flight which can help to get on target. What I was forgetting is to try burst shooting to up my chances.

Yes, there's both buzzards and kites around here - very similar life-styles.

Thanks for continuing the story!

Nice shot, but are osprey nests always that rough & ready?

I think it fairly obvious that the first European settlers in North America were far from Ornithologists :)

As you've most likely already seen to find those links, Red-tailed hawks and (what I think of as) a Buzzard share a genus Buteo.

OK, that would be a danger to my wallet!

TY

And look well-nigh identical to the UK Magpie - though the Latin name is different.

A young one from yesterday for contrast:

No scolding that I noticed :)

Happily, Prospect Park often gives a good distance view, so I can see them coming, especially if circling - even so, I often lose focus especially when "close" overhead. There's also the curse of shooting dark subjects against bright sky - my camera's auto settings would have this photo as little more than a silhouette, but happily shooting in RAW allowed a decent recovery.

Looking back at my old photos from various locations, that "not round pupil" thing in wood pigeons seems more often present than not. I wasn't something I'd looked previously out for.

Yay, I'm glad for you!

Really nice to get that angle - I'd guess you were half way up a mountain at the time.

You will be shocked to know even the mother can walk through those bars.

Thanks - thought you'd have to have a huge pixel count otherwise.

Anyway, hoping to walk to a new spot when photoing birds, and not expecting it to flow off, is a mug's game :)

I like the way you've shown the context in one photo, the bird in the other. Is that just digital zoom or two photos and an optical zoom?

The sparrow was just pure good luck, and a bit of a surprise when I reviewed the photo!

And I suppose to complete it, House Martins from the same group gathering the mud in the harbour

It is indeed a Canon, and using Canon's DPP4 to correct the over-exposed whites using the RAW format of pictures. I really ought to research it properly, but I'm guessing that different colours (YGB) are reaching over-exposed to different degrees and getting capped. E.g. Blue is very over-exposed, Yellow is a bit over-exposed and Green is only barely over-exposed. Then when I try to bring them back to properly exposed "as one" with the histogram tool or brigtness slider, those caps and degrees are getting messed up, giving a colour balance in a manner that doesn't reflect the original and I get a green tinge.

That, or pay more attention to whites in frame!

Thanks. What's worse, is that I lost quite a few attempts to this problem today: white gulls and the like, against dark backgrounds. Trying to remove over-exposure just leaves a vivid green discolouration,

Out of interest, is the green under its chin a result of trying to get light/histogram levels correct, or was it really "there". I often have trouble with over-exposed areas picking up a green or blue tinge when corrected.

Yes, I've plenty of nice sharp "normal" images of young gulls, but as you say, this sort of thing stands out.

For those of us without the skill or kit (me!), Cornell Labs Merlin Bird ID can do the live identification part in quite a pleasing manner on an Android phone. However, the logging and kit that is practical to leave running for 24 hours is probably beyond it.

To OP, I'd have thought better mikes would allow identification of quieter calls, and be better at avoiding misidentifying non-bird noise, so might still have value.

I'm deeply sorry - I just left it to your imaginations :)

Nice detail. Was it just to fat or stupid to move, or have you a long lens?

That's good for what I assume is one binocular eyepiece held over a mobile phone's camera lens.

The whole thing has something of a khaki tinge - was it just one of those days, or something that a bit of software magic might improve?

Heh, that's the ABC of photography: Always Bring Camera!

Though these days a mobile phone can be a useful way to address ABC, it's rarely good on birds.

It always amuses me that a Grey Wagtail has lots of yellow, but this is a fine reminder that the Yellow Wagtail has even more yellow!

You a quite probably right, given what I saw of the little drama (the corvids and the kites were squabbling all through the walk - alas I didn't seen enough of a mixed group of jackdaws and crows mobbing a kite to photo it), but the photo in isolation just had me foxed.

1/1250s speed, and stabilizer on, so I doubt movement distortion, but worth the question.

Perhaps a proper Kite photo to compensate, possibly even the same bird.

Oh, very well done - and if that level of camera shake is all you have to worry about, you're a far better photographer than I! Just a bit of a shame the file downloaded so slowly I didn't get to the end before other things called, but that's not on you.

Oh yes, and also of only realising in post-propressing that the shot isn't quite as good as you hoped when you did it.